Program Books/Mark Padmore

Mark Padmore

tenor

Mark Padmore (tenor) was born in London and studied at King’s College, Cambridge. He has established an international career in opera, concert, and recital. His appearances in Bach Passions have gained particular notice, especially his renowned performances as Evangelist in the St Matthew and St John Passions with the Berlin Philharmonic and Simon Rattle, staged by Peter Sellars.

The current season focuses on recitals, including performances in Barcelona and Madrid with Julius Drake; Alicante with the Elias String Quartet; the Muziek­gebouw Amsterdam with Till Fellner; the Théâtre de l’Athénée Paris with Julius Drake, and Schubert’s Winterreise with Mitsuko Uchi­da at Carnegie Hall, the Kimmel Center in Philadelphia, and here today at UC Berkeley.

Following a residency at Wigmore Hall during the 2021–22 season, where he celebrated his relationship with pianists Till Fellner, Imogen Cooper, Mitsuko Uchida, and Paul Lewis, he returned to Wigmore Hall last season singing Vaughan Williams and Fauré with the Elias Quartet and James Baillieu. The 2022–23 season also saw him appear on stage in the title role of a new production of Monteverdi’s Il ritorno d’Ulisse in patria conducted by Fabio Bion­di; sing the world première of Mark-Anthony Turnage’s song cycle A constant obsession with the Nash Ensemble; and give concerts with Sinfonieorchester Basel and Deutsche Kammerphilharmonie Bremen.

Padmore’s most recent appearance at the Royal Opera House, Covent Garden was a new production of Britten’s Death in Venice, where his performance was described as a “tour de force” and “exquisite of voice, [presenting] Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight.” Other opera roles have included Captain Vere in Britten’s Billy Budd and Evangelist in a staging of the St Matthew Passion for the Glyndebourne Festival and leading roles in Harrison Birtwistle’s The Corridor and The Cure at the Aldeburgh Festival.

In concert, Padmore performs with the world’s leading orchestras. He was Artist in Residence for the 2017–18 season with the Berlin Philharmonic and held a similar position with the Bavarian Radio Symphony Orchestra in 2016–17. His work with the Orchestra of the Age of Enlightenment has involved projects exploring both the Bach St John and St Matthew Passions without conductor, attracting worldwide acclaim.

His extensive and award-winning discography includes Schumann’s Dichterliebe with Kristian Bezuidenhout and Schubert song cycles with Paul Lewis, both for Harmonia Mundi. Described by the New York Times as “Schubert Masters,” Padmore and Mitsuko Uchida recently embarked on a series of highly acclaimed, worldwide recitals and this partnership has culminated in a recording on Decca Classics of Schubert’s Schwanengesang and Beethoven’s An die ferne Geliebte.

Padmore was Artistic Director of the St. Endellion Summer Music Festival in Cornwall from 2012–22, voted 2016 Vocalist of the Year by Musical America, and appointed CBE in the 2019 Queens’ Birthday Honors List.