Jordi Savall
Hespèrion XXI
HESPÈRION XXI
Jordi Savall, pardessus de viole
Philippe Pierlot, treble and bass viol
Anna Lachegyi, tenor viol
Juan Manuel Quintana, bass viol
Xavier Puertas, violone
Enrike Solinís, theorbo and guitar
Jordi Savall, director
Fantasies, Battles, and Dances
The Golden Age of the Viol Consort
1550–1750
| DU CAURROY | Fantaisies sur Une jeune fillete |
| TYE | In Nomine XII Crye |
| DOWLAND | Semper Dowland semper dolens The King of Denmark’s Galliard |
| TRABACI | Durezze e ligature |
| GUAMI | Canzon 4 Sopra La Battaglia |
| WOODCOCK | Browning my dear à 5 |
| LOCKE | Fantasie 5 in d minor à 4 (2nd Suite) |
| BRADE | Ein Schottisch Tanz |
| SCHEIDT | Canzon à 5 super O Nachbar Roland |
| FERRABOSCO | Four-note Pavan à 5 |
| HOLBORNE | [Galliard:] The Fairie-Round |
| LAWES | Paven V in C major à 5 |
| SCHEIDT | Galliard Battaglia |
| CHARPENTIER | Passecaille |
| CABANILLES | Obertura – Corrente italiana |
| PURCELL | Fantasia upon one note |
| J.S. BACH | Contrapunctus 1 – Contrapunctus 9 alla duodecima |
ENCORE: |
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| BRADE | Der Satyrn Tanz |
| A. VALENTE | Gallarda napolitana |
“Wherever Jordi Savall wishes to travel, an audience will follow” (The New York Times)—that certainly sums up the loyalty and affection that Berkeley fans have developed for Savall’s supreme artistic intellect and instrumental virtuosity, forged over nearly three decades of annual visits. The Catalan viol virtuoso, conductor, and intrepid musical explorer is revered for his expansive programs that cross epochs and borders, using historically informed music performance to reveal diverse cultures, migrations, and movements. In recent years, his grand projects have explored the trans-Atlantic slave trade and musical exchanges between East and West and Christian and Arab, often returning closer to home to share lost treasures of the Iberian Baroque. Welcomed back to Berkeley again this season, Savall performs with his renown early-music period ensemble, Hespèrion XXI.
This performance is made possible, in part, by Susan Graham Harrison & Michael A. Harrison.
Run time for this concert is approximately 90 minutes, including intermission, but not including any possible encores.