Cal Performances brings our 2014–2015 season to a festive close with the fifth annual Ojai at Berkeley (formerly Ojai North!) festival (June 18–20), our partnership with the Ojai Music Festival. Ojai at Berkeley is central to Cal Performances’ programming and our commitment to the new, and features an extraordinary array of artists, influential works, and innovative programs—all curated by the renowned percussionist and conductor Steven Schick, Artistic Director of the San Francisco Chamber Music Players and this year’s Ojai Festival Music Director. In seven events over three days, Mr. Schick takes us on a journey through the music and ideas with which he is passionately involved and which have shaped his work, bringing us into his personal aesthetic world and sharing with us his unique understanding and insights. Earlier this season, we presented Mr. Schick in Project TenFourteen, our collaboration with the San Francisco Contemporary Music Players, which featured ten world premières over four Hertz Hall concerts.
On April 20, Cal Performances announced our ambitious 2015–2016 season and marked the launch of Berkeley RADICAL (Research And Development Initiative in Creativity, Arts and Learning), our newest and boldest plan to address our role in the future of the performing arts in our culture and community, and on our campus. Beginning this September, several distinctive projects on each season will feed the Berkeley RADICAL process and include explorations of known works or creation of major new ones, with public performances, residencies of commissioned artists, significant partnerships with the University across academic disciplines, on- and off-campus learning programs, and post-performance dissemination of findings on the creative process, education, research, and scholarship endeavors delivered via various media platforms. Berkeley RADICAL is intended to work in tandem with, and utilize, the unique intellectual resources and capabilities of the university is our home.
Our 2015–2016 programming carries forward a curatorial vision rooted in the principles of Berkeley RADICAL and abounds with the most important performing artists in classical, new, and early music, jazz, world stage, dance, and theater—and includes many unique performances that can be experienced nowhere else but here. As in 2014–2015, new music is a primary focus of the coming season. This fall, Finnish composer Kaija Saariaho is in residence at UC Berkeley in the Department of Music. To celebrate her presence on campus, on October 23 UC Berkeley’s own eco ensemble, under the direction of David Milnes, performs a concert of her masterful compositions Notes on Light (2006), The Tempest Songbook (2004), and Sept Papillons (2000). Notes on Light and Sept Papillons feature her longtime collaborator, cellist Anssi Karttunen, as soloist.
On November 6 and 7, we present a major event on our season when we welcome Paris’s Ensemble Intercontemporain (EIC) in its Cal Performances début. The EIC, considered by many the world’s preeminent new music group, was founded in 1976 by composer and conductor Pierre Boulez. The ensemble rarely travels to the United States, which makes its performances here very special indeed. The EIC’s first concert is a multimedia program featuring Beat Furrer’s Linea dell’orizzonte (2012) and Marco Stroppa’s Gla-Dya, études sur les rayonnements jumeaux (2007), alongside two works by UC Berkeley faculty composers commissioned by the ensemble: the United States première of Edmund Campion’s Cluster X, with visuals by Kurt Hentschläger, and the world première of a new work by Franck Bedrossian. The second concert includes two works by the EIC’s Music Director, Matthias Pintscher—bereshit (an EIC commission, 2014) and Beyond (A System of Passing) (2014, for solo flute)—as well as a modernist classic, Octandre (1923), by Edgard Varèse, and Boulez’s magisterial Sur Incises (1996–1998), for three pianos, three harps, and three percussion. (This past March, Pierre-Laurent Aimard, the founding pianist of the EIC, performed Incises (1993–1994), the work on which Sur Incises was based, in Zellerbach Hall.)
14, eighth blackbird, the acclaimed new music ensemble, comes to Hertz Hall to
perform Hand Eye, a suite of six new compositions by
Cal Performances has recently been selected as recipient of a major, multiyear grant from the Wallace Foundation to develop new audiences for the performing arts. Cal Performances seeks to build a bridge to the so-called “millennial” generation by working to attract current UC Berkeley undergraduates (18–22 years old) and recently graduated young professionals (23–25 years old), the “transition population” of young adults who are one to three years beyond their university studies. We believe it is crucial to focus new, significant research and programming efforts on creating meaningful opportunities for engagement for this segment of our population so as to begin building lifelong Cal Performances audiences and supporters. Events and projects under this initiative align with the principles of Berkeley RADICAL. In the first phase of activity under the grant, we will conduct audience research to learn more about the young professionals in our community and work to develop a communications strategy to best engage them.
I look forward to welcoming you to Ojai at Berkeley and throughout the 2015–2016 season.
Executive and Artistic Director
Executive and Artistic Director