PROGRAM
| Wolfgang Amadeus MOZART (1756–1791) | “Laudate Dominum,” from Vesperae Solennes de Confessore (1780) |
| George Frideric HANDEL (1685–1759) | “To fleeting pleasures make your court,” from Samson (1743)
“Lascia ch’io pianga,” from Rinaldo (1711) |
| Giacomo PUCCINI (1858–1924) | “O mio babbino caro,” from Gianni Schicchi (1917/18) |
| Felix MENDELSSOHN (1809–1847) | Rondo capriccioso, Op. 14 (1828–1830) Inon Barnatan |
| Reynaldo HAHN (1874–1947) | “L’heure Exquise,” from 7 Chansons Grises (1890)
Si mes vers avaient des ailes (1888) “Les étoiles,” from 12 Rondels (1898–1899) |
| INTERMISSION | |
| Traditional American | Songs to be announced from the stage |
| J. Todd FRAZIER (b. 1969) | We Hold These Truths (2017) |
| John KANDER (b. 1927) | A Letter from Sullivan Ballou (1994) |
| Earl WILD (1915–2010) | Selections from 7 Virtuoso Etudes after Gershwin (1950s/1975–1976) The Man I Love I Got Rhythm Inon Barnatan |
| Cole PORTER (1891–1964) | “Down in the Depths (on the 90th Floor),” from Red, Hot and Blue (1936)
“So in Love,” from Kiss Me, Kate (1948) |
| Alan Jay LERNER (1918–1986) Frederick LOEWE (1901–1988) |
“I Could Have Danced All Night,” from My Fair Lady (1956) |
| Andrew LIPPA (b. 1964) | The Diva (2020) |
