Brian Giebler

Praised for his “lovely tone and deep expressivity” by the New York Times, Grammy- nominated Brian Giebler (tenor) radiates “shine and clarity” (Opera News) in every phrase using “his high-placed tenor with great skill” (Opera Magazine). His debut solo album a lad’s love garnered high praise from Gramophone, Opera News, and San Francisco Classical Voice, and earned him his first Grammy Award nomination, for Best Classical Solo Vocal Album. “The sweetness of Giebler’s impressive high tenor” and his “expressive and elegant phrasing” (Cleveland Classical) have been heard as Apollo in Handel’s Semele with the English Concert under Harry Bicket; Stravinsky with the Cleveland Orchestra; Adam in REV 23 at the Prototype Festival; Arnalta in Monteverdi’s Poppea with Boston Baroque; Evangelist in Bach’s St. Matthew Passion with Trinity Wall Street; Bach Cantatas with the Grand Rapids Symphony and Handel & Haydn Society; Handel’s Messiah with Music of the Baroque (available on recording), Seoul Metropolitan Chorus, and the Charlotte, Rhode Island, Memphis, and Virginia symphony orchestras; Aeneas in Purcell’s Dido and Aeneas with Atlanta Baroque Orchestra; Haydn’s Creation with Santa Fe Pro Musica; Orff’s Carmina Burana with the Virginia Symphony Orchestra; and on stage with Boston Modern Orchestra Project and the Boston Early Music Festival. Other highlights include a tour of the Ravinia and Caramoor festivals with Apollo’s Fire and Handel’s L’Allegro, il Penseroso ed il Moderato with Mark Morris Dance Group (BAM). www.briangiebler.com.