Program Books/Daniil Trifonov

Daniil Trifonov

piano

Grammy Award-winning pianist Daniil Trifonov (dan-EEL TREE-fon-ov)—Musical America’s 2019 Artist of the Year—has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more…tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. With Transcendental, the Liszt collection that marked his third title as an exclusive Deutsche Gram­mophon artist, Trifonov won the Grammy Award for Best Instrumental Solo Album of 2018. As The Times of London notes, he is “without question the most astounding pianist of our age.”

In October of 2021, Trifonov releases Bach: The Art of Life on Deutsche Grammophon, including The Art of Fugue with the pianist’s own completion of the final contrapunctus, selections from the Notebook for Anna Magdalena Bach, music by four of Johann Sebastian’s sons, two pieces known to have been Bach family favorites, and more. He tours a recital program in the 2021-22 season centered on The Art of Fugue in Europe, and a second program in the US of Prokofiev, Szymanowski, Debussy, and Brahms. Brahms’ First Piano Concerto serves as the vehicle for appearances with the Dallas Symphony led by Fabio Luisi and Philharmonia Zurich under the direction of Gianandrea Noseda, and with Rome’s Orchestra dell’Acca­demia Nazionale di Santa Cecilia led by Antonio Pappano he performs Mozart’s Ninth Piano Concerto (Jeunehomme) on a European tour. He also performs all five of Beethoven’s piano concertos in various combinations with eight different orchestras: the New York Phil­har­monic, Cincinnati Symphony, New Jersey Symphony, Munich Philharmonic, Mariinsky Orchestra, Orchestre des Champs-Élysées, Buda­pest Festival Orchestra, and Toronto Symphony. Balancing out these staples of the repertoire, Trifonov gives the world premiere performances of Mason Bates’ new Piano Concerto, composed for him during the pandemic, with the co-commissioning Philadel­phia Orchestra and Yannick Nézet-Séguin, before reprising the piece in the spring with the New Jersey Symphony, Israel Philharmonic, and the other co-commissioner, the San Fran­cisco Symphony.

Highlights of recent seasons include a multi-faceted, season-long tenure as 2019–20 Artist-in-Residence of the New York Philharmonic under Jaap van Zweden, featuring the New York premiere of Trifonov’s own Piano Quintet, and a seven-concert, season-long Carnegie Hall Perspectives Series. Trifonov played Tchaikov­sky’s First under Riccardo Muti in the historic gala finale of the Chicago Sym­phony’s 125th-anniversary celebrations; launched the New York Philharmonic’s 2018–19 season; headlined complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festi­val and with London’s Philharmonia Orchestra and the Munich Philharmonic; undertook season-long residencies with the Berlin Philhar­monic and at Vien­na’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto; and headlined the Berlin Philhar­monic’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’ Salle Pleyel in 2012–13, Trifonov has given solo recitals at venues including the Kennedy Center in Wash­ington DC; Boston’s Celebrity Series; London’s Barbican, Royal Festival and Queen Elizabeth Halls; Amsterdam’s Concert­gebouw (Master Piano Series); Berlin’s Phil­harmonie; Munich’s Herkulessaal; Bavaria’s Schloss Elmau; Zurich’s Tonhalle; the Lucerne Piano Festival; the Palais des Beaux-Arts in Brussels, the Théâ­tre des Champs Élysées and Auditorium du Louvre in Paris; Barcelona’s Palau de la Música; Tokyo’s Opera City; the Seoul Arts Center; and Mel­bourne’s Recital Centre.

Fall 2020 brought the release of Silver Age, an album of Russian solo and orchestral piano music by Scriabin, Prokofiev, and Stravinsky. This followed 2019’s Destination Rach­maninov: Arrival, for which Trifonov received a 2021 Grammy nomination. Presenting the composer’s First and Third Concertos, Arrival represents the third volume of the Deutsche Grammophon series recorded with the Phila­delphia Orchestra and Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced, and Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist, which captured Trifonov’s sold-out 2013 Car­negie Hall recital debut live and scored him his first Grammy nomination.

It was during the 2010–11 season that Trifo­nov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competi­tion, and both First Prize and Grand Prix—an additional honor bestowed on the best overall competitor in any category—in Moscow’s Tchaikovsky Competition. In 2013, he was awarded the prestigious Franco Abbiati Prize for Best Instru­mental Soloist by Italy’s foremost music critics, and in 2016 he was named Gramophone’s Artist of the Year.

Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”

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