The singular new-music ensemble Sō Percussion, celebrated for its “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker), plays two concerts highlighting three millennial voices that are part of an inspiring generation of women composers revitalizing the contemporary music landscape. In this quartet’s first visit, two short pieces by Puerto Rican-born composer Angélica Negrón explore interactions between the quartet’s percussion instruments and pre-programmed electronic noisemakers, and Nathalie Joachim’s Note to Self combines pre-recorded loops of her own voice with virtuosic percussion writing as a way of processing her chronic anxiety.
Join us for a post-performance Q&A.
This event is part of Cal Performances’ Illuminations: “Human and Machine” programming for the 2022–23 season.
April 20 concert with Caroline Shaw >
Parking will be a problem on campus for this performance due to a Cal Football game versus Oregon State.
Most, if not all, University parking lots will be reserved for game patrons and city-owned lots may have a limited number of spots available. Traffic will be heavy. We advise you to arrive early and to seriously consider alternative transportation.
Please see our Parking Alert section for more information.