Jeremy Denk

Jeremy Denk is one of America’s foremost pianists, praised by the New York Times as “a pianist you want to hear no matter what he performs.” Renowned for his vivid imagination, depth, and wit, Denk is also a New York Times bestselling author; a recipient of a MacArthur “Genius” Fellowship and the Avery Fisher Prize; and a member of the American Academy of Arts and Sciences.

During the 2025–26 season, Denk tours widely across North America, with performances in New York, Philadelphia, Cleveland, Los Angeles, Seattle, and Austin, among others. In recital he continues to explore female composers from the past to the present, as well as the complete Bach Partitas. He also returns to the Orpheus Chamber Orchestra to perform Beethoven’s Piano Concert No. 1 at the 92nd Y in New York, and reunites with his long-time collaborator, Joshua Bell, for performances at the Hollywood Bowl and the Ravinia Festival. Further afield, he embarks on a tour of South Korea with violist, Richard O’Neill, and performs at the Adam Chamber Music Festival in New Zealand in multiple concerts, including a performance of Schubert’s Die Schöne Müllerin with tenor Colin Ainsworth.

Denk has performed frequently at Carnegie Hall and in recent years has worked with such orchestras as the Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and San Francisco Symphony. Recent highlights also include premiering a new concerto written for him by Anna Clyne, co-commissioned by the Dallas Symphony led by Fabio Luisi, the City of Birmingham Symphony led by Kazuki Yamada, and the New Jersey Symphony led by Markus Stenz. Further highlights include performances of John Adams’ Must the Devil Have All the Good Tunes? with the Cleveland Orchestra, St. Louis Symphony, and Seattle Symphony.

Denk is also celebrated for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” His New York Times bestselling memoir, Every Good Boy Does Fine, was published to universal acclaim by Random House in 2022. Denk also wrote the libretto for a comic opera presented by Cal Performances, Carnegie Hall, and the Aspen Festival, and his writing has appeared in the New Yorker, New Republic, Guardian, and Süddeutsche Zeitung, as well as on the front page of the New York Times Book Review.

Denk is known for his interpretations of the music of American visionary Charles Ives, and in celebration of the 150th anniversary of the composer’s birth, Nonesuch Records released a collection of his Ives recordings in 2024. Denk’s album of Mozart piano concertos, released in 2021 on Nonesuch Records, was deemed “urgent and essential” by BBC Radio 3. His recording of Bach’s Goldberg Variations for Nonesuch Records reached No. 1 on the Billboard classical chart and his recording of Beethoven’s Piano Sonata Op. 111 paired with Ligeti’s Études was named one of the best discs of the year by the New Yorker, NPR, and the Washington Post, while his account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano.