Program
| Alicia Hall Moran | Believe Me |
| Florence Price, text by Paul Laurence Dunbar |
Sympathy |
| Hymn, arr. by St. John Coltrane African Orthodox Church Ensemble | The Lord’s Prayer |
| James P. Johnson | Carolina Shout |
| Joe “King” Oliver | Sympathy |
| Florence Price | West End Blues |
| Benny Goodman/Lionel Hampton | Flying Home |
| Florence Price | “Nimble Feet,” from Dances in the Canebrakes |
| Billie Holiday/Arthur Herzog Jr. | God Bless the Child |
| Norman J. Whitfield and Barrett Strong | I Heard It Through The Grapevine |
| Jason Moran | Cane
Coincoin’s Narrative |
INTERMISSION
| Edward Kennedy “Duke” Ellington, Irving Mills, and Juan Tizol | Caravan |
| George Walker | Lyric for Strings |
| Coleridge Taylor-Perkinson | Louisiana Blues Strut: A Cakewalk |
| Allison Loggins-Hull | Homeland |
| Anthony Newley/Leslie Bricusse | “Feelin’ Good,” from The Roar of the Greasepaint—The Smell of the Crowd |
| Alicia Hall Moran | Believe Me |
| Jason Moran | “Final Speech,” from Selma |
| Traditional, arr. by Margaret Bonds | He’s Got the Whole World in His Hands |
| Traditional, arr. by the band Harriet Tubman and Alicia Hall Moran, after Roland Hayes | Two Wings |