• Mark Morris Dance Group
  • Mark Morris Dance Group
  • Mark Morris Dance Group

“Mr. Morris’s invention—his mix of classic beauty and the absurd—is continually absorbing.”
The New York Times



by Jean-Philippe Rameau

Mark Morris Dance Group
Philharmonia Baroque Orchestra & Chorale

Nicholas McGegan, conductor
Mark Morris, choreographer

Comédie Lyrique in a Prologue and Three Acts

Libretto by Adrien-Joseph Le Valois d’Orville

Philharmonia Baroque Orchestra & Chorale
Nicholas McGegan, music director laureate
Bruce Lamott, chorale director
Mathias Vidal, haute-contre (Platée)
Chantal Santon Jeffery, soprano (L’Amour/La Folie)
Jennifer Zetlan, soprano (Thalie/Clarine)
Sara Couden, mezzo-soprano (Junon)
Aaron Sheehan, haute-contre (Thespis/Mercure)
Philippe-Nicolas Martin, baritone (Satyr/Cithéron)
Douglas Williams, baritone (Momus/Jupiter)
Isaac Mizrahi, costume designer

Adrianne Lobel, set designer
James F. Ingalls, lighting designer

The Mark Morris Dance Group and Philharmonia Baroque join forces once again for a wild and whimsical revival of Jean-Philippe Rameau’s masterpiece Platée, the story of a homely yet vain nymph who falls prey to a prank set by the gods. When this lively production, which features outrageous costumes by Isaac Mizrahi, premiered at Zellerbach Hall in 1998, it was hailed by the San Francisco Chronicle as “an extraordinary theatrical and musical masterpiece—respectful, endlessly imaginative, and uproariously funny from beginning to end.”

Platée was among the most highly regarded of Rameau’s operas during his lifetime; to the surprise of many, it was even well received by France’s royal family, who commissioned it for the nuptials of the son of King Louis XV and Maria Theresa of Spain, who—according to contemporary sources—was no beauty. In an act of comic genius, Rameau created the role of Platée to be sung by a man, here played by the French high tenor Mathias Vidal.

Morris’ choreography mixes high camp with supreme craft, as dancers slither and jitter through Platée’s lush and magical swamp, the movement always sensitive to the richness of the effervescent Baroque score.

Sung in French with English supertitles.

Cal Performances Co-commission of revival; Co-produced by Philharmonia Baroque Orchestra & Chorale

An Illuminations: Music and the Mind event >

Major support provided by The Bernard Osher Foundation

Patron Sponsors: Helen and John Meyer

Fri, May 7–9, 2021
Tickets start at $40


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As a service to our donors at the $750 level and above, we offer the opportunity to reserve parking for our performances. Reserve parking online 5 business days or more in advance of the performance, or by contacting Cal Performances’ Development Department at 510.642.8653 or email donate@calperformances.org.

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Program Notes

Program notes will be available approximately one week before the performance.

Fri, May 7–9, 2021
Tickets start at $40

Please note that our Ticket Office windows are closed in conjunction with UC Berkeley’s decision to limit campus operations. The Ticket Office phone lines are open on the following limited hours: Tuesday–Friday, noon–4pm.

Cal Performances update on COVID-19

Due to continuing uncertainties regarding public health recommendations on large gatherings, Cal Performances has postponed the single ticket on sale of all 2020/21 Season performances. We will communicate with patrons once a new date has been set.

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