• Damien Sneed Program Notes
  • Damien Sneed Program Notes
Program Books/Damien Sneed

Damien Sneed
Joy to the World: A Christmas Musical Journey

Dec 3, 2021
Zellerbach Hall

Damien Sneed, MD, vocals, piano
Chenee Campbell, vocals
Markita Knight, vocals
Alicia Peters-Jordan, vocals
Linny Smith, vocals
Alfred Rutherford, Hammond B3 organ and keys
Gabriel Michael Carter, aux keys
Ronald “CJay” Alexander, bass guitar
Joel Tate, drums

Tonight’s program will be announced from the stage and will be performed without intermission. The program will last approximately 90 minutes.

From the Executive and Artistic Director

Jeremy Geffen

With the fast-approaching end of Fall Semester—and as we move towards the holidays—things are unusually busy on the UC Berkeley campus. The same can be said about Cal Performances, where—this weekend alone—we’ll enjoy visits by an array of world-class talent: the Bay Area’s beloved Kronos Quartet with special guest, Persian classical and world music vocalist and composer Mahsa Vahdat (Dec 2); musical polymath Damien Sneed with his delightful Joy to the World: A Christmas Musical Journey program (Dec 3); riveting performer of the 16-string dan tranh (zither) Vân-Ánh Võ and her acclaimed Blood Moon Orchestra in an exciting world premiere (Dec 4); and two of the brightest lights of their generation—choreographer/dancer Caleb Teicher (and their amazing dance company) and pianist Conrad Tao in the Bay Area premiere of More Forever, a fresh, new music and dance collaboration. I’m so happy you could join us during what promises to be a memorable weekend; it’s wonderful that we can gather together again, enjoying great live performances under the same roof!

This robust activity is especially meaningful this year, following such a prolonged period of shutdown! When the pandemic forced Cal Performances to close its doors in March 2020, no one could have imagined what lay ahead. Since then, we’ve witnessed a worldwide health crisis unlike any experienced during our lifetimes, an extended period of political turmoil, recurring incidents of civil unrest and racially motivated violence, and a consciousness-raising human rights movement that has forever—and significantly—changed how each of us views social justice in our time.

Of course, the pandemic remains with us to this date and future challenges—including many adjustments to “normal’ procedures and policies—can certainly be expected. I encourage you to check Cal Per­formances’ website regularly for the most current information regarding our COVID-19 response. First and foremost, I assure you that there is nothing more important to us than the health and safety of our audience, artists, and staff. (And I remind one and all that proof of vaccination is mandatory today, as is protective masking throughout the event.)

Our season continues later this month with an exciting return concert by jazz phenom Jazzmeia Horn, a hit on last year’s Cal Performances at Home streaming season (Dec 10); the ever-popular Canadian Brass with its festive Making Spirits Bright for 50 Years and Counting! holiday program (Dec 11); and the long-awaited return to Zellerbach Hall (the group’s favorite home-away-from home) by the great Mark Morris Dance Group (Dec 17–19). And our full 2021–22 calendar offers even more, packed with the kind of adventurous and ambitious programming you’ve come to expect from Cal Performances. In particular, I want to direct your attention to this year’s Illuminations: “Place and Displacement” programming, through which we’ll explore both loss and renewal, disempowerment and hope, while seeking paths forward for reclaiming and celebrating vital cultural connections that can fall victim to political and social upheaval.

Please take the opportunity to explore the complete schedule through our website and season brochure and begin planning your performance calendar; now is the perfect time to guarantee that you have the best seats for all the events you plan to attend.

Throughout history, the performing arts have survived incredible challenges: periods of war, economic collapse, and, yes, terrible disease. And if it will take time for us—collectively and individually—to process the events of the past 18 months, I’m certain that the arts have the power to play a critical role as we come to terms with what we have experienced and move together toward recovery.

I know you join us in looking forward to what lies ahead, to coming together once again to encounter the life-changing experiences that only the live performing arts deliver. We can’t wait to share it all with you during the coming year.

Cal Performances is back. Welcome home!

Jeremy Geffen
Executive and Artistic Director, Cal Performances

Jeremy GeffenWith the fast-approaching end of Fall Semester—and as we move towards the holidays—things are unusually busy on the UC Berkeley campus. The same can be said about Cal Performances, where—this weekend alone—we’ll enjoy visits by an array of world-class talent: the Bay Area’s beloved Kronos Quartet with special guest, Persian classical and world music vocalist and composer Mahsa Vahdat (Dec 2); musical polymath Damien Sneed with his delightful Joy to the World: A Christmas Musical Journey program (Dec 3); riveting performer of the 16-string dan tranh (zither) Vân-Ánh Võ and her acclaimed Blood Moon Orchestra in an exciting world premiere (Dec 4); and two of the brightest lights of their generation—choreographer/dancer Caleb Teicher (and their amazing dance company) and pianist Conrad Tao in the Bay Area premiere of More Forever, a fresh, new music and dance collaboration. I’m so happy you could join us during what promises to be a memorable weekend; it’s wonderful that we can gather together again, enjoying great live performances under the same roof!

This robust activity is especially meaningful this year, following such a prolonged period of shutdown! When the pandemic forced Cal Performances to close its doors in March 2020, no one could have imagined what lay ahead. Since then, we’ve witnessed a worldwide health crisis unlike any experienced during our lifetimes, an extended period of political turmoil, recurring incidents of civil unrest and racially motivated violence, and a consciousness-raising human rights movement that has forever—and significantly—changed how each of us views social justice in our time.

Of course, the pandemic remains with us to this date and future challenges—including many adjustments to “normal’ procedures and policies—can certainly be expected. I encourage you to check Cal Per­formances’ website regularly for the most current information regarding our COVID-19 response. First and foremost, I assure you that there is nothing more important to us than the health and safety of our audience, artists, and staff. (And I remind one and all that proof of vaccination is mandatory today, as is protective masking throughout the event.)

Our season continues later this month with an exciting return concert by jazz phenom Jazzmeia Horn, a hit on last year’s Cal Performances at Home streaming season (Dec 10); the ever-popular Canadian Brass with its festive Making Spirits Bright for 50 Years and Counting! holiday program (Dec 11); and the long-awaited return to Zellerbach Hall (the group’s favorite home-away-from home) by the great Mark Morris Dance Group (Dec 17–19). And our full 2021–22 calendar offers even more, packed with the kind of adventurous and ambitious programming you’ve come to expect from Cal Performances. In particular, I want to direct your attention to this year’s Illuminations: “Place and Displacement” programming, through which we’ll explore both loss and renewal, disempowerment and hope, while seeking paths forward for reclaiming and celebrating vital cultural connections that can fall victim to political and social upheaval.

Please take the opportunity to explore the complete schedule through our website and season brochure and begin planning your performance calendar; now is the perfect time to guarantee that you have the best seats for all the events you plan to attend.

Throughout history, the performing arts have survived incredible challenges: periods of war, economic collapse, and, yes, terrible disease. And if it will take time for us—collectively and individually—to process the events of the past 18 months, I’m certain that the arts have the power to play a critical role as we come to terms with what we have experienced and move together toward recovery.

I know you join us in looking forward to what lies ahead, to coming together once again to encounter the life-changing experiences that only the live performing arts deliver. We can’t wait to share it all with you during the coming year.

Cal Performances is back. Welcome home!

Jeremy Geffen
Executive and Artistic Director, Cal Performances

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