“A gorgeously illustrated stage version of the classic essay.”
When Joan Didion wrote her iconic essay “The White Album” 50 years ago, she was struggling to navigate the moral torpor, violence, and alienation of the 1960s counterculture. Now, director Lars Jan is mining new lessons from Didion’s searing observations with a participatory, multimedia performance that uses a modern-day house party as a visual score to Didion’s seminal work. In Jan’s adaptation, Obie winner Mia Barron performs Didion’s text in its entirety as a monologue, inhabiting the author’s voice as she reports on the Huey Newton trial, a memorable hangout with the Doors, the San Francisco State student protests, and the Manson family murders. A cast of performers enacts scenes from the essay, and a second audience joins the performers onstage—acting as both witnesses and accomplices to the action. “A multilayered production…that radiated with a light hallucinatory touch” (Los Angeles Times).
An Illuminations: Fact or Fiction event >