William Kentridge, an older man wearing a white dress shirt and glasses, sits at a table against a gray background and gestures with his hands.
The Making of William Kentridge’s The Great Yes, The Great No
William Kentridge, concept and director, and Nhlanhla Mahlangu, associate director and choral composer, dive into the music and meaning behind their new chamber opera.
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How It's Made

William Kentridge, an older man wearing a white dress shirt and glasses, sits at a table against a gray background and gestures with his hands.
The Making of William Kentridge’s The Great Yes, The Great No
Dance Excerpts and Insights From Across the Season
Cultural Exchange: The Rite of Spring
Trocks Blog
Photo Gallery: A Day in the Life of Les Ballets Trockadero de Monte Carlo
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Bark of Millions: Fantasy and Mystery, Rooted in Queerness
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William Kentridge’s SIBYL: The Reassurance of Uncertainty
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